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Eden & Charlie (2024) © Collectif des Routes
Film

‘Éden and Charlie’ Review: Tender Coming-Of-Age Study Feels Half-Baked

Max King -
0
A Desert (2024) © Yellow Veil Pictures
Film

‘A Desert’ Review: An Intentional Neo-noir Nightmare

Ayomide Asani -
0
A Mother's Embrace (2024) © Blue Finch Films
Film

‘A Mother’s Embrace’ Review: Rain and Fire Everywhere In All-Too-Familiar Horror

Max King -
0
Support The Indiependent The Carpenter's Son (2025) © Cinenovo
Film

‘The Carpenter’s Son’ Review: Coming-of-Age Biblical Horror Falls Flat

Jordon Searle -
0
Nuremberg (2025) © Sony Pictures Classics
Film

‘Nuremberg’ Review: Historical Drama Falters Under Scrutiny

Daniel Goldstraw -
0
The Secret Agent (2025) © CinemaScópio Produções
Film

‘The Secret Agent’ Review: Cinema of Necropolitics

Ayomide Asani -
0
Wicked: For Good (2025) © Universal Pictures
Film

‘Wicked: For Good’ Review: Enough Heart to Last a Lifetime

Mia Stapleton -
0
‘Regretting You’ Review: A Lacklustre Film Of What-Ifs And Secrecy
Film

‘Regretting You’ Review: A Lacklustre Film Of What-Ifs And Secrecy

Mae Trumata -
0
‘Shelby Oaks’ Review: Low-Budget Horror Shows Promise Until Disastrous Third Act
Film

‘Shelby Oaks’ Review: Low-Budget Horror Shows Promise Until Disastrous Third Act

Jordon Searle -
0
Frankenstein (2025) © Netflix
Film

‘Frankenstein’ Review: del Toro’s Adaptation Revels in Gothic Romanticism

Rohit Rajput -
0
Valley of the Shadow of Death (2024) © Showalker UK
Film

‘Valley of the Shadow of Death’ Review: HK Movie Confronting Faith and Humanity

Angel Sun -
0
Promised Sky (2025) © Henia Production
Film

‘Promised Sky’ LFF Review: Tunisian Drama Highlights Countries’ Poverty and Racial Tension

Jordon Searle -
0
Strange Harvest (2024) © Adorable Damage
Film

‘Strange Harvest’ Review: Big, Nasty Scares

Oscar Aitchison -
0
Good Boy
Film

‘Good Boy’ Review: Brings A Fresh Twist To The Haunted House Genre

James Morton -
0
Sentimental Value (2025) © MUBI
Film

BFI London Film Festival 2025: ‘Sentimental Value’ Review

Mátin Cheung -
0
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