James Nash

It was another night of celebrations last Sunday, as the very best of British television was recognised at the 2021 BAFTA TV awards.

The outstanding BBC/HBO drama series I May Destroy You received some long […]

“It’s just beige” explains London, one of three women existing in the aftermath of a breakup in Phoebe Noble’s new play, One Half of Two. It’s a piece about lost love that starts perhaps as one would imagine—f […]

“I wanted you to find me looking pretty. Dead, but pretty.”

From the mind of Pedro Almodóvar comes a new adaptation of Jean Cocteau’s The Human Voice, starring an impeccably dressed Tilda Swinton. Almodó […]

For the first Spotlight Event of the (virtual) London Film Festival 2020, TV legend Jane Tranter discussed her long and celebrated career as the producer behind many of your favourite series. As the former […]

“We seek adventure because the situation is bad. We live in big birson… prison.”

A searing tale of family and identity, Ameen Nayfeh’s border-crossing road-trip drama ‘200 Meters’ follows Palestinian father […]

“It’s not her anymore.”

This line alone perfectly sums up the duality in Natalie Erika James’ debut feature Relic, where supernatural possession meets the real-life horror of losing a parent to dementi […]

From the mind of Levi Eddie Aluede comes a fascinating, award-winning web-series, Visions of a Vivid Life. In the same way that watching Charlie Kaufman’s I’m Thinking of Ending Things feels like getting an ins […]

TV Editor James Nash takes a look at the first few episodes of Season 3 of Killing Eve

“Poor Kenny”. Ah, Konstantin — truer words were never spoken. Killing Eve has never been a show to play by the rules […]

TV Editor James Nash takes a look at some of the effects COVID-19 will have on the year’s television slate.

Unfortunately for all of us stuck at home, the Coronavirus pandemic has had — you guessed it — an unp […]

The Paramore frontwoman returns with new music – the full album, Petals for Armor, is released 8 May – that appears to be just as much an emotional exorcism as it is an experimental solo project. It is a tes […]

Lana Del Rey has always had a sort of other-worldly ability to capture a specific moment in time, and then write an album about it. But whilst previous releases have relied on nostalgia for the Hollywood glam of […]

Welcome to The Indiependent’s Top TV of the Decade! In our 15th and final feature, James Nash explores why Phoebe Waller-Bridge’s Fleabag is his show of the year, the decade, and the century.
What more could po […]

Welcome to The Indiependent’s Top TV of the Decade! TV Editor James Nash dives into the hit BBC One crime-drama, Happy Valley…

Sally Wainwright’s Happy Valley is not just bleak – it’s violently bleak. B […]

*SPOILER WARNING*

For a show that so heavily features ‘the Upside Down’, the third season of Stranger Things surprisingly treads familiar ground, and not always for the better. It’s evident that the show’ […]

The third (and final) review from your Game of Thrones novice here, but judging by this episode, it seems like the writers haven’t watched the last six series either, so not much catching up was needed.

As a c […]

Everyone grab your misplaced Starbucks coffee cups, it’s time for another review from a guy who’s only watched two series!

It’s pleasing to see that the climactic events of the last episode haven’t been brushed […]

Killing Eve reigns supreme at this year’s BAFTA TV awards, not only winning Best Drama, but with stars Jodie Comer and Fiona Shaw each taking home their first BAFTA for Best Actress and Best Supporting Actress, r […]

Having only just finished series two of the biggest show on television, I find myself in an unusual predicament – reviewing perhaps the most anticipated episode of the series ever. There was practically no point i […]