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Film Reviews

It Was Just An Accident © Les Films Pelleas, Neon
Film

BFI London Film Festival 2025: ‘It Was Just an Accident’ Review

Mátin Cheung -
0
Chain Reactions (2024) © Exhibit A Pictures
Film

‘Chain Reactions’ Review: Lacking Ambition

Oscar Aitchison -
0
Souleymane's Story
Film

‘Souleymane’s Story’ Review: A Moving Tale Of Struggle And Resilience

Cian McGrath -
0
The Man in My Basement (2025) © Andscape
Film

‘The Man in My Basement’ Review: A Belaboured Two-Hander

Isaac Jackson -
0
Joker: Folie à Deux (2024) © Warner Bros.
Film

One Year On: Joker: Folie à Deux

Alex Paine -
0
My Bigfoot Life (2025) © M and M Film Productions
Film

‘My Bigfoot Life’ Review: An Inspirational Outlook on Adolescence

Ayomide Asani -
0
The Smashing Machine (2025) © A24
Film

‘The Smashing Machine’ Review: Emotional KO That Never Connects

Joseph Jenkinson -
0
Iron Ladies (2025) © Shut Out The Light Films
Film

‘Iron Ladies’ Review: Working Class Women, Collective Action

Ayomide Asani -
0
I Swear (2025) © Tempo Productions
Film

‘I Swear’ Review: Frequently Uplifting but Over-Sentimental

Oscar Aitchison -
0
The Thursday Murder Club © Netflix
Film

‘The Thursday Murder Club’ Review: A Charming and Cosy Mystery

Jugo O'Neill -
0
Four Trails (2023) © Lost Atlas Productions
Film

‘Four Trails’ Review: Beautiful Documentary of the World’s Hardest Trail Run

Angel Sun -
0
The Drowned (2025) © Take The Shot Films
Film

‘The Drowned’ Review: Disturbingly Intriguing In Concept Yet Shallow In Character

Mae Trumata -
0
Happyend (2024) © Cinema Inutile
Film

‘Happyend’ Review: Dystopian Drama Mines Adolescent Home Truths

Oscar Aitchison -
0
Strange Journey
Film

‘Strange Journey: The Story of Rocky Horror’ Review: A Timely Contribution To The Cult Classic To End All Cult Classics

Ayomide Asani -
0
No Choice (2025) © Hilgartner Productions
Film

‘No Choice’ Review: Abortion Indie-Horror Evokes Shades of David Lynch

Jordon Searle -
0
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