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Film Reviews

Venom: The Last Dance (2024) © Sony Pictures
Film

‘Venom: The Last Dance’ Review: A Flat Final Waltz For This Interspecies Bromance

James Hanton -
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Timestalker (C) Vertigo Releasing
Film

‘Timestalker’ Review: Humorous But Not Quite A Hoot

Jamie Rooke -
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The Substance (2024) © Mubi
Film

‘The Substance’ EIFF Review: Gothic Horror Gets A Shiny New Face

Camille Murray -
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A REAL PAIN © 2024 Searchlight Pictures
Film

‘A Real Pain’ Review: Simplicity is King

Ellis Lamai -
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The Crime Is Mine (2023) © Gaumont
Film

‘The Crime is Mine’ Review: Fun But Conventional Crime Comedy

Rehana Nurmahi -
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'The Outrun' (2024) © Sony Pictures
Film

‘The Outrun’ Review: A Compelling And Honest Cinematic Adaptation

Annabel Smith -
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Blink Twice (2024) © Warner Bros.
Film

‘Blink Twice’ Review: An Impressive If Uneven Debut

Louise Eve -
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Home Sweet Home: Where Evil Lives (2024) © Blue Finch Film Releasing
Film

‘Home Sweet Home: Where Evil Lives’ Review: A Bland One-Take Horror That Struggles to Define Itself

Cian McGrath -
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The Island
Film

‘The Island’ Review: A Far Too Conventional Noir On A Greek Island  

Kieran Webb -
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James McAvoy in Speak No Evil (2024) © Universal Pictures
Film

‘Speak No Evil’ Review: Frightening But Often Funny

Clotilde Chinnici -
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The Goldman Case
Film

‘The Goldman Case’ Review: Invigorating Courtroom Drama Crackles With Tension

Cian McGrath -
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Firebrand (2023) © MBK Productions
Film

‘Firebrand’ Review: Atmospheric Biopic Brings Henry VIII’s Final Queen To Life

Eleanor Harvey -
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Oddity (2024) © IFC Films
Film

‘Oddity’ Review: An Eerie Horror That Will Certainly Linger

Jamie Rooke -
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Queer (2024) © Fremantle
Film

Venice Review: ‘Queer’ is a Spiritual Journey into Desire, Self-Acceptance and Loneliness

Luiza Świerzawska -
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Starve Acre (2023) © BFI
Film

‘Starve Acre’ Review: As Beautiful and Sparse as the Yorkshire Moors

Barney Nuttall -
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