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christmas in 1940s cinema
Film

War Is Over! Christmas In 1940s Cinema

Steph Green -
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‘The Eyes of Tammy Faye’—A Woman’s Sickness In Faith, Man & Diet Coke: CFF Review
Film

‘The Eyes of Tammy Faye’—A Woman’s Sickness In Faith, Man & Diet Coke: CFF Review

Jasmine Valentine -
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'Puppet Killer'—Nightmare On Sesame Street Is A Fun Festive Slasher
Film

‘Puppet Killer’—Nightmare On Sesame Street Is A Fun Festive Slasher: Review

theindiependent -
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As the follow-up to her highly decorated 2019 hit Portrait of a Lady on Fire, Céline Sciamma’s rumination on working through loss highlights the importance of child perspectives and dismantles the social concept of family. 
Film

‘Petite Maman’—The Love Letter to Childhood Grief That Grows: CFF Review

Jasmine Valentine -
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My Life In Films: James Hanton
Film

My Life In Films: James Hanton

James Hanton -
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Eternals—Marvel's Imperfect But Most Ambitious Entry In Years Is Refreshing:
Film

‘Eternals’—Marvel’s Imperfect But Most Ambitious Entry In Years Is Refreshing: Review

Lewis Royle -
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No Way Home
Film

New ‘Spider-Man: No Way Home’ Trailer Adds More Iconic Villains to Cast

Alice Fortt -
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‘The Power of the Dog’—Campion’s Big Screen Return Worth The Wait
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‘The Power of the Dog’—Campion’s Big Screen Return Worth The Wait: Review

Lewis Royle -
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Pratchett
Film

Why The Works Of Terry Pratchett Slither Away From Screenwriters

Casey Langton -
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, Jason Reitman has conjured up a kooky, sentimental jolt down memory lane. It’s shameless, unoriginal fan service, but rarely has shameless, unoriginal fan service been this much fun.
Film

‘Ghostbusters: Afterlife’ Is A Raucous, Nostalgia-Heavy Franchise Revival: Review

George Nash -
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‘Vampir’—Arthouse Horror That Finds No Thrills
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‘Vampir’—Arthouse Horror That Finds No Thrills: Raindance Review

Jasmine Valentine -
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‘My Sunny Maad’—A White Lens On Assimilating Into Foreign Patriarchy: Raindance Review
Film

‘My Sunny Maad’—A White Lens On Assimilating Into Foreign Patriarchy: Raindance Review

Jasmine Valentine -
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‘Bull’ Huffs And Puffs, But Doesn’t Quite Blow The House Down
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‘Bull’ Huffs And Puffs, But Doesn’t Quite Blow The House Down: Review

Will Jones -
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Set in a remote house, Father of Flies sees a young boy's family home completely change when his mother is pushed out and replaced by a strange new woman. Matters escalate for the boy when terrifying supernatural forces seem to have moved in with her.
Film

‘Father of Flies’ – An Atmospheric, Yet Messy Horror: Review

Richard Ord -
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Ultimately, Schrader’s palpitating direction and Isaac’s magnetic performance proves to be a winning pair. It might not be anything strikingly fresh or unique, and it has issues in terms of how it goes about telling its story, but Schrader’s tense, sharp thriller operates more than well enough to be delightfully gratifying. The Card Counter is dramatic, nail-biting work, helmed by a remarkable director and brought to life by an outstanding lead performance.
Film

‘The Card Counter’ is another nail-biting character drama from Paul Schrader: Review

Eddie Nourse -
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