★★★★
Northern Ballet’s Merlin is nothing short of beyond magical. An enchanting retelling of one of history’s most famous tales, we see love, betrayal, war, and peace as this beloved Arthurian folk-story is brought to life on stage as we’re taken on a ride filled with magic and emotion- a true revival of the old-age legend.
Merlin is, at heart, a coming-of-age story about a young boy who is raised by a blacksmith, after being found as a baby in a magical orb. We follow him as he grows older, feeling the pull of his developing magic day-by-day. Struggling to control and understand his powers, his relationship with powerful army general Morgan, and the part that he plays in two warring kingdoms—his world is a battle between who will win—good, evil, or love? Merlin’s journey is filled with discovery, duty, and destiny, and we’re brought along for the ride, delving into magical worlds and exciting emotions.
Yu Wakizuka stuns with his portrayal of Merlin, moving with childlike energy, joy, and simplicity—not just creating, but becoming his character with a clearly heartfelt effort and connection, radiating the simplicity and innocence that only comes with childhood. In contrast, Amber Lewis’s Morgan radiates power that is felt in breath-holding moments. Manipulative, dominant, and commanding, she feels like a real-life threat; and her transformation into evil is all but simple.
Harris Beattie’s presence as Uther perfectly compliments that of Ygraine (Julie Nunès) as his charm blends with her softness, beauty, and grace. Uther and Ygraine, whilst not the focal point of Merlin’s story, perfectly represent exactly what the tale is focused on at its core: loyalty and love. With both characters being representative of the two warring kingdom’s, when love wins, the shift in tone of movement and sound creates a palpable and obvious chemistry—reinforcing that despite all, love will find a way. Their story is pure magic.
Child appropriate and easy to understand, it takes talent to produce a production that is accessible, emotive, fun, and touching—and Merlin does just that. Made complete with modernised and exciting stage design, complimented by the production’s intricate and historical looking costuming, Northern Ballet’s Merlin feels like something out of a storybook.
Whilst for those unfamiliar with the story, the first act of Merlin may be a little confusing, however, the instant that the second act lifts off the ground, everything starts to fall into place. We begin to feel a connection to not just Merlin and his story, but those around him- especially that of Morgan, Uther, and Ygraine, whose emotional, magical, and touching stories begin to shine. Not to forget one of the real hidden gems of Merlin, performing as the Blacksmith, was Alessia Petrosino, creating a solid grounding to which Wakizuka’s Merlin is able to flourish from.
From jaw-dropping appearances of Merlin’s magical parents, to Morgan showing her true wield of power, it is the final act of Merlin that makes everything feel so special. A perfect moment that undeniably leaves the audience grinning ear-to-ear, reminiscent of what one feels when reaching the end of a fairytale. It’s an explosion of heartfelt emotion, relief, and justice.
Northern Ballet’s Merlin will be performed at Sheffield Lyceum Theatre from 4-8 November before touring to Norwich Theatre Royal from 12-15 November. Book your tickets now!
Words by Mia Stapleton
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