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Lauren Budd
Film

Interview with Actress Lauren Budd

Ayomide Asani -
0
The Smashing Machine (2025) © A24
Film

‘The Smashing Machine’ Should Be The Template for All Future Biopics

Theo Reilly -
0
Nuremberg (2025) © Sony Pictures Classics
Film

‘Nuremberg’ Review: Historical Drama Falters Under Scrutiny

Daniel Goldstraw -
0
The Smashing Machine (2025) © A24
Film

The Safdie Brothers: Altering the Stardom of a Star

Tallulah Denyer -
0
Wicked: For Good (2025) © Universal Pictures
Film

‘Wicked: For Good’ Review: Enough Heart to Last a Lifetime

Mia Stapleton -
0
‘Shelby Oaks’ Review: Low-Budget Horror Shows Promise Until Disastrous Third Act
Film

‘Shelby Oaks’ Review: Low-Budget Horror Shows Promise Until Disastrous Third Act

Jordon Searle -
0
Good Boy
Film

‘Good Boy’ Review: Brings A Fresh Twist To The Haunted House Genre

James Morton -
0
Bugonia (2025) © Focus Features
Film

BFI London Film Festival 2025: ‘Bugonia’ Review

Mátin Cheung -
0
Father Mother Sister Brother (2025) © MUBI
Film

‘Father Mother Sister Brother’ LFF Review: A Lyrical Meditation on Family

Mátin Cheung -
0
My Bigfoot Life (2025) © M and M Film Productions
Film

‘My Bigfoot Life’ Review: An Inspirational Outlook on Adolescence

Ayomide Asani -
0
Sane Inside Insanity
Film

‘Sane Inside Insanity’: Director Andreas Zerr On Telling Rocky Horror’s Untold Story

Joseph Jenkinson -
0
Iron Ladies (2025) © Shut Out The Light Films
Film

‘Iron Ladies’ Review: Working Class Women, Collective Action

Ayomide Asani -
0
The Thursday Murder Club © Netflix
Film

‘The Thursday Murder Club’ Review: A Charming and Cosy Mystery

Jugo O'Neill -
0
Interview: Rainsford
Discover

Interview: Rainsford

Lana Williams -
0
The Drowned (2025) © Take The Shot Films
Film

‘The Drowned’ Review: Disturbingly Intriguing In Concept Yet Shallow In Character

Mae Trumata -
0
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