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The World’s End © 2013 - Focus Features
Film

All 8 Edgar Wright Films Ranked

Joseph Jenkinson -
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Lauren Budd
Film

Interview with Actress Lauren Budd

Ayomide Asani -
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Eden & Charlie (2024) © Collectif des Routes
Film

‘Éden and Charlie’ Review: Tender Coming-Of-Age Study Feels Half-Baked

Max King -
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A Desert (2024) © Yellow Veil Pictures
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‘A Desert’ Review: An Intentional Neo-noir Nightmare

Ayomide Asani -
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The Smashing Machine (2025) © A24
Film

‘The Smashing Machine’ Should Be The Template for All Future Biopics

Theo Reilly -
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A Mother's Embrace (2024) © Blue Finch Films
Film

‘A Mother’s Embrace’ Review: Rain and Fire Everywhere In All-Too-Familiar Horror

Max King -
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Support The Indiependent The Carpenter's Son (2025) © Cinenovo
Film

‘The Carpenter’s Son’ Review: Coming-of-Age Biblical Horror Falls Flat

Jordon Searle -
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Nuremberg (2025) © Sony Pictures Classics
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‘Nuremberg’ Review: Historical Drama Falters Under Scrutiny

Daniel Goldstraw -
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When Harry Met Sally... (1989) © Colombia Pictures
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Changed Cinema Forever: ‘When Harry Met Sally’

Ayomide Asani -
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The Smashing Machine (2025) © A24
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The Safdie Brothers: Altering the Stardom of a Star

Tallulah Denyer -
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The Secret Agent (2025) © CinemaScópio Produções
Film

‘The Secret Agent’ Review: Cinema of Necropolitics

Ayomide Asani -
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Photo by John Guccione, Pexels
Film

Following The Money: What Does It Cost to Make A Film?

Rhys Clarke -
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Wicked: For Good (2025) © Universal Pictures
Film

‘Wicked: For Good’ Review: Enough Heart to Last a Lifetime

Mia Stapleton -
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‘Regretting You’ Review: A Lacklustre Film Of What-Ifs And Secrecy
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‘Regretting You’ Review: A Lacklustre Film Of What-Ifs And Secrecy

Mae Trumata -
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‘Shelby Oaks’ Review: Low-Budget Horror Shows Promise Until Disastrous Third Act
Film

‘Shelby Oaks’ Review: Low-Budget Horror Shows Promise Until Disastrous Third Act

Jordon Searle -
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