More than a story of innocent and impish love, Young Hearts is a beautifully gut-wrenching exploration of identity, friendship and family.
★★★★☆
Elias (Lou Goossens) lives a simple life. He has a devoted mother, an ambitious father, an understanding girlfriend and a loyal group of friends. However, things spiral out of control when Alexander (Marius De Saeger) moves across the street. Elias and Alexander bond and grow close—so close that the line between friendship and attraction begins to blur. Confused and hesitant to confront these new feelings, Elias pushes Alexander away, isolating himself from his friends and family.
The most resonant aspect of Young Hearts is Elias, whose reckless behaviour and impulsive decisions truly embody the childish frustration of being unable to control the events surrounding him. It’s representative of what it means to be 14 and the uncertainty that comes with growing up, falling in love, and navigating relationships. There’s a specific kind of satisfaction in seeing his development, which isn’t linear at all. There are points where it seems like he’s finally on the brink of acceptance and maturity, only to regress into his shell out of fear and doubt. That constant back and forth keeps the overall narrative engaging and, more importantly, speaks to the reality many teenagers face. This sense of restlessness is further highlighted by the cinematography, with its constant pacing and unsteady camera movements.
Another production marvel is the soundtrack and score, which exude an exhilarating sense of hope. Using piano as the foundation—an ode to Alexander and his ability to play the instrument—the score’s mellow and rhythmic beat depicts the tender and intimate bond that forms between the two characters. As Elias slips further into his depression and rage, the guitar rips through the speakers, marking a volatile change in his character. These cues push the narrative forward and serve as markers for the characters’ shift in dynamic. This excellent mix of visuals and sound is complemented by the fantastically subtle and nuanced performances by the young cast. The script lays the foundation for a colourful tapestry of individuals to explore, but it’s the actors that inject vibrance and energy into the overall picture. Even the smallest of roles have something unique and wonderful to offer.
Where the piece falls short is its rushed third act. Many friendships and arguments arise in the wake of Elias’ destructive episodes, but many of these are easily fixed in a few words and short scenes just before the credits roll. This leaves a very unsatisfying tang to what would’ve been an extremely fulfilling story. Furthermore, it results in too-easy redemption for many of the characters involved and dampens the overall viewing experience. The selfishness of Elias’ father, the neglect of his brother, and the vindictive treatment of his ex-girlfriend Valerie are all resolved far too simply, when most of these characters have not earned the audience’s forgiveness. Still, the warmth one feels when seeing Elias turn to his grandfather in his time of need, and finding parallels in his relationship with Alexander to that of his grandparents, is a profoundly charming sight.
The Verdict
Starring a cast of brilliant and young actors, Young Hearts is a touching story of young love. It reflectively explores identity and familial connections, especially those who have gone through the teenage experience of growing up, rebelling, and finding confusion in navigating through different relationships. Full of life and colour, Young Hearts is an alluring coming-of-age for the young and recklessly in love.
Words by Mae Trumata
Young Hearts is in UK cinemas from 8 August.
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