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Borderline (2025) © Magnolia Pictures
Film

‘Borderline’ Review: A Film With A Personality Crisis Of Its Own

Ayomide Asani -
0
Sovereign
Film

‘Sovereign’ Review: Christian Swegal’s Drama Pits Fathers And Sons Against Each Other In A Slow, Sturdy Study Of Extremist Ideology

FilmGamer -
0
Plainclothes (2025) © Lorton Entertainment
Film

‘Plainclothes’ Review: Grit and Empathy in Balanced Queer Drama

James Morton -
0
Misper
Film

‘Misper’ EIFF Review: An Endearing Debut With Overdone Tropes

Camille Murray -
0
Somnium (2024) © Blue Dot Media
Film

‘Somnium’ Review: A Powerful Concept Weakened By Clichés And Lacking Cohesion

Mila Curlin -
0
Central Station
Film

‘Central Station’ Review: A Tender, Terrifically Acted Treat

Max King -
0
Freakier Friday
Film

‘Freakier Friday’ Disney’s Latest Nostalgia Bait Is Worth Your Time

Ayomide Asani -
0
ZombieCON Vol. 1 (2024) © Big Squid Productions
Film

‘ZombieCON Vol 1’ Review: A Quirky, Blood-Splattered Ode to Fandom

Joseph Jenkinson -
0
Unmoored © Bulldog Film Distribution
Film

‘Unmoored’ Review: A Quiet Reckoning

Cass Fong -
0
Young Hearts (2024) © Kwassa Films
Film

‘Young Hearts’ Review: A Beautiful Showcase Of Young And Reckless Love

Mae Trumata -
0
The Fantastic Four: First Steps (2025) © Disney
Film

‘The Fantastic Four: First Steps’ Review: The MCU’s New Torchbearers Light The Way

Joseph Jenkinson -
0
Inside (2024) © Never Sleep Pictures
Film

‘Inside’ Review: Towering Supporting Performances Elevate Strong Prison Drama

Jordon Searle -
0
Magazine Dreams (2023) © Briarcliff Entertainment
Film

‘Magazine Dreams’ Review: Jonathan Majors Is a One-Man Apocalypse

Joseph Jenkinson -
0
Amadeus (1984) © The Saul Zaentz Company
Film

‘Amadeus’ Re-Release Review: A Drama that Does Not Soar 

Clotilde Chinnici -
2
A Road to a Village (2023) © Basuri Films
Film

‘A Road to a Village’ Review: Critique of Modernisation Undermined by Storytelling 

Angel Sun -
0
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