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The Wrong Paris (2025) © Netflix
Film

The Wrong Paris Review: Netflix Rom-Com Misses Spark Despite Clever Premise

Lara Sayess -
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Back in Action (2025) © Netflix
Film

Back in Action: How Hollywood Sells Us Nostalgia

Lara Sayess -
0
The End of Endings? Why Modern TV Can’t Wrap Things Up
TV

The End of Endings? Why Modern TV Can’t Wrap Things Up

Eddie Monkman -
0
Rachael Rooney and Jemma Carlton
Film

Frame by Frame: The £5 Club Rewriting London’s Cinema Scene

Bethany Lee -
0
Ackroyd & Harvey: The Art of Activism (2025) © Fiona Cunningham-Reid
Film

Interview With ‘The Art of Activism’ subjects Ackroyd and Harvey

Max King -
0
Baby Brother (2024) © Funk Movies
Film

‘Baby Brother’ Review: A Hard-Hitting Exploration Of Trauma And Poverty

Tayler Finnegan -
0
Highest 2 Lowest (2025) © A24
Film

‘Highest 2 Lowest’ Review: Kidnap Thriller Is A Riotous City-Symphony

Max King -
0
Borderline (2025) © Magnolia Pictures
Film

‘Borderline’ Review: A Film With A Personality Crisis Of Its Own

Ayomide Asani -
0
Materialists (2025) © Charlie Clift, IMDB
Film

The Politics of the Modern Press Tour

Ayomide Asani -
0
Dirty Dancing (1987) © Great American Films Limited Partnership
Film

Movie Monday: ‘Dirty Dancing’

Nicole Colucci -
0
Plainclothes (2025) © Lorton Entertainment
Film

‘Plainclothes’ Review: Grit and Empathy in Balanced Queer Drama

James Morton -
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Ella Øverbye and Selome Emnetu in Dreams © GFF25 Press
Film

Interview with ‘Sex, Dreams and Love’ Director Dag Johan Haugerud

Mátin Cheung -
0
High and Low, Akira Kurosawa © IMDB
Film

A Fistful Of Films: Akira Kurosawa’s Influence On Hollywood

Max King -
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Misper
Film

‘Misper’ EIFF Review: An Endearing Debut With Overdone Tropes

Camille Murray -
0
Opus (2025) © A24
Film

Why ‘Opus’ Fails to be Magnum: How a Star-Studded A24 Debut Fell Flat

Desola Kazeem -
0
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